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	<title>Salon97 - classical music with attitude &#187; audience</title>
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	<link>http://www.salon97.org</link>
	<description>Classical music for the other 97%</description>
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		<title>It&#8217;s Just Music</title>
		<link>http://www.salon97.org/uncategorized/its-just-music/</link>
		<comments>http://www.salon97.org/uncategorized/its-just-music/#comments</comments>
		<pubDate>Mon, 14 Jun 2010 18:47:38 +0000</pubDate>
		<dc:creator>Cariwyl Hebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[music education]]></category>

		<guid isPermaLink="false">http://www.salon97.org/?p=354</guid>
		<description><![CDATA[This introspective and honest article by Benjamin F. Carlson has been floating around the classical music community over the past week. For obvious reasons, classical people get really excited when someone from &#8220;the outside&#8221; gives us a nod and says our music is good, too. That aside, the article is a good read for anyone [...]]]></description>
			<content:encoded><![CDATA[<p>This introspective and honest <a href="http://www.theatlantic.com/culture/archive/2010/06/the-secret-to-classical-music-its-just-music/57593/" target="_blank">article</a> by Benjamin F. Carlson has been floating around the classical music community over the past week. For obvious reasons, classical people get really excited when someone from &#8220;the outside&#8221; gives us a nod and says our music is good, too. That aside, the article is a good read for anyone &#8212; no matter what your musical preferences may be.</p>
<p>A brief excerpt:</p>
<p>&#8230; <em>I feel lucky to know the big secret: there&#8217;s no trick. It&#8217;s just music.  It shreds, yearns, mourns, trills, rages, and smiles. The music is  spine-tingling, angry, delicate, vulgar, snobby, bumptious, and  transcendental. Anyone who loves music should feel comfortable pulling  Messiaen into their mixes.</em></p>
<p>That&#8217;s right, people. Classical music <em>is </em>for everyone!</p>
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		<title>NY Phil&#8217;s Le Grand Macabre by Ligeti</title>
		<link>http://www.salon97.org/uncategorized/ny-phils-le-grand-macabre-by-ligeti/</link>
		<comments>http://www.salon97.org/uncategorized/ny-phils-le-grand-macabre-by-ligeti/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 03:28:34 +0000</pubDate>
		<dc:creator>Cariwyl Hebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[music education]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[web]]></category>

		<guid isPermaLink="false">http://www.salon97.org/?p=314</guid>
		<description><![CDATA[The New York Philharmonic recently presented an innovative production of Ligeti&#8216;s Le Grand Macabre. To accompany this brilliant show, the NY Phil&#8217;s marketing department put together a series of behind-the-scenes flip cam videos. So many times we wonder what it takes to put together the wonderful concerts we attend, and thankfully, the New York Phil [...]]]></description>
			<content:encoded><![CDATA[<p>The New York Philharmonic recently presented an innovative production of <a href="http://en.wikipedia.org/wiki/György_Ligeti" target="_blank">Ligeti</a>&#8216;s <em><a href="http://nyphil.org/concertsTicks/legrandmacabre.cfm?effortcode=macabre" target="_blank">Le Grand Macabre</a></em>. To accompany this brilliant show, the NY Phil&#8217;s marketing department put together a series of behind-the-scenes flip cam videos. So many times we wonder what it takes to put together the wonderful concerts we attend, and thankfully, the New York Phil has given us a backstage pass via YouTube.</p>
<p>They say the show will be back in 2012, and I can&#8217;t wait to see it.</p>
<p>Here are a few highlights from the flip cam series, along with a couple videos from the Alan Gilbert + Death set.</p>
<p>Alan Gilbert and Death play Guitar Hero. Hilarious!<br />
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<p>Maybe they&#8217;ll create another riot?<br />
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<p>Set and prop building &#8212; very entertaining!<br />
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<p>So&#8230;what is this show about?<br />
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<p>Music Director Alan Gilbert speaks on what it&#8217;s like to rehearse &#8220;Le Grand Macabre.&#8221;<br />
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<p>Venus on stilts:<br />
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<p>&#8230;and where does all that great choreography come from?<br />
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<p>Being a percussionist is serious fun.<br />
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			<wfw:commentRss>http://www.salon97.org/uncategorized/ny-phils-le-grand-macabre-by-ligeti/feed/</wfw:commentRss>
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		<item>
		<title>Salon97 Visits ArtsJournal</title>
		<link>http://www.salon97.org/uncategorized/salon97-visits-artsjournal/</link>
		<comments>http://www.salon97.org/uncategorized/salon97-visits-artsjournal/#comments</comments>
		<pubDate>Tue, 18 May 2010 17:57:50 +0000</pubDate>
		<dc:creator>Cariwyl Hebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[press]]></category>
		<category><![CDATA[Salon97]]></category>

		<guid isPermaLink="false">http://www.salon97.org/?p=287</guid>
		<description><![CDATA[We had a new guest at our &#8220;Terrible Twos&#8221; celebration on Saturday, Chloe Veltman, a musician and freelance culture correspondent for the New York Times. A few days later, Chloe wrote me to ask if we&#8217;d submit a guest post for her blog, Lies Like Truth, with the ArtsJournal network of cultural blogs. We are [...]]]></description>
			<content:encoded><![CDATA[<p>We had a new guest at our &#8220;Terrible Twos&#8221; celebration on Saturday, <a href="http://home.chloeveltman.com/" target="_blank">Chloe Veltman</a>, a musician and freelance culture correspondent for the <em>New York Times.</em> A few days later, Chloe wrote me to ask if we&#8217;d submit a guest post for her blog, <a href="http://www.artsjournal.com/lies/" target="_blank">Lies Like Truth</a>, with the <a href="http://www.artsjournal.com/" target="_blank">ArtsJournal</a> network of cultural blogs. We are honored!</p>
<p>Here&#8217;s a segment of her post:</p>
<p><em>At the weekend, I attended an hour or so of a lively </em><a style="text-decoration: underline; outline-style: none; outline-width: initial; outline-color: initial; color: #ab0404;" href="http://www.salon97.org/"><em>Salon97</em></a><em> music-appreciation salon. I wish I could have stayed longer at the gathering, organized by a local music lover, Cariwyl Hebert, but I had to be at a concert rehearsal. At any rate, from the short time I spent at Cariwyl&#8217;s home in the Upper Haight, I could tell that she and her friends are on to something. The event provides a wonderful high-engagement yet low-key format for listening and discussing music.</em></p>
<p><em><span style="font-style: normal;">And here is a <a href="http://www.artsjournal.com/lies/2010/05/salon-city.html" target="_blank">link</a> to the full post. Thank you, Chloe! </span></em></p>
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		<item>
		<title>10 Reasons Why Classical Music Rocks</title>
		<link>http://www.salon97.org/uncategorized/10-reasons-why-classical-music-rocks/</link>
		<comments>http://www.salon97.org/uncategorized/10-reasons-why-classical-music-rocks/#comments</comments>
		<pubDate>Tue, 13 Apr 2010 20:37:53 +0000</pubDate>
		<dc:creator>Cariwyl Hebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[lists]]></category>

		<guid isPermaLink="false">http://www.salon97.org/?p=184</guid>
		<description><![CDATA[Two of the top searches that drove internet surfers to the Salon97 site in the past couple weeks included the following: &#8220;classical music&#8221; and &#8220;what is so great about it.&#8221; I was pretty surprised to see this, but I also saw this as a great opportunity to make a top 10 list of things that [...]]]></description>
			<content:encoded><![CDATA[<p>Two of the top searches that drove internet surfers to the Salon97 site in the past couple weeks included the following: &#8220;classical music&#8221; and &#8220;what is so great about it.&#8221; I was pretty surprised to see this, but I also saw this as a great opportunity to make a top 10 list of things that are great about classical music. We all love lists, right? Please feel free to comment with your own reasons why classical music is so fabulous.</p>
<p>And without further ado, my top 10 list of why classical music is totally awesome:</p>
<p>1. So many pieces, so little time! Since the genre has been around for hundreds of years the possibilities are nearly endless.</p>
<p>2. Undemanding. All you have to do is close your eyes and listen. There&#8217;s no opportunity for anyone to laugh at your bad dance moves.</p>
<p>3. Being able to say you know something about classical music is sexy. Saying you know something about The Beatles is like saying, &#8220;I know something about breathing oxygen!&#8221;</p>
<p>4. No words to memorize, most of the time.</p>
<p>5. Always makes for a romantic date night.</p>
<p>6. Classical music is used to commemorate major historical events, such as wars, the falling of empires, and the Olympic Games. Nothing quite says, &#8220;Big! Important! Earth-shattering!&#8221; like classical music does.</p>
<p>7. If it&#8217;s good enough for <a href="http://www.youtube.com/watch?v=qUW8A0juQ9w" target="_blank">Bugs Bunny</a>, it&#8217;s good enough for you.</p>
<p>8. Versatility. You can sing to it (opera), dance to it (ballet), and make a movie with it!</p>
<p>9. A heavy metal concert or indie rock show is generally not a good excuse to bust out your new tie or cute dress.</p>
<p>10. <a href="http://www.ahajokes.com/viola.html" target="_blank">Viola jokes</a>.</p>
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		<title>Stop Clapping!!</title>
		<link>http://www.salon97.org/uncategorized/stop-clapping/</link>
		<comments>http://www.salon97.org/uncategorized/stop-clapping/#comments</comments>
		<pubDate>Thu, 11 Mar 2010 17:29:54 +0000</pubDate>
		<dc:creator>Cariwyl Hebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audience]]></category>

		<guid isPermaLink="false">http://www.salon97.org/?p=158</guid>
		<description><![CDATA[The most-asked question we encounter when it comes to classical music concert-going is, &#8220;When the heck am I supposed to clap?!&#8221; Salon97&#8242;s default response is that it is generally most acceptable to wait until the end of the piece. If you&#8217;re confused, just follow the crowd. But now, this may be starting to change. Alex [...]]]></description>
			<content:encoded><![CDATA[<p>The most-asked question we encounter when it comes to classical music concert-going is, &#8220;When the heck am I supposed to clap?!&#8221;</p>
<p>Salon97&#8242;s default response is that it is generally most acceptable to wait until the end of the piece. If you&#8217;re confused, just follow the crowd.</p>
<p>But now, this may be starting to change. <a href="http://www.newyorker.com/online/blogs/alexross/" target="_blank">Alex Ross</a>, classical music guru, gave a lecture in London earlier this week that has the classical music world talking. A lot. News articles and blogs posts are popping up everywhere. Why? Because the debate over when one should clap at a classical concert was the subject of his discussion.</p>
<p>Back in the 1700s people went crazy every time they heard something exciting. They&#8217;d cheer and ask for more. Applause, yelling, chanting, it was all fair game. Over the years it has become less and less fashionable to show excitement and appreciation for classical music in the concert setting. This started in the 1800s and has been the way things are done ever since.</p>
<p>Ross asserts that it may be time to become more old-fashioned&#8211;that classical concerts should become more communal. You know, the way it was back in the 1700s.</p>
<p>There is so much wonderful innovation happening in the classical music world these days, but perhaps this is one area where we need to regress. Wouldn&#8217;t it be great to show up at a concert and not have to worry about when it&#8217;s appropriate to clap? Wouldn&#8217;t it be great to be able to cheer at the end of an exuberant movement of a piece?</p>
<p>It will be interesting to see how this evolves. How long will it take us to get back to the 18th century?</p>
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		<item>
		<title>Boo hoo hoo</title>
		<link>http://www.salon97.org/uncategorized/boo-hoo-hoo/</link>
		<comments>http://www.salon97.org/uncategorized/boo-hoo-hoo/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 05:15:49 +0000</pubDate>
		<dc:creator>Cariwyl Hebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[opera]]></category>

		<guid isPermaLink="false">http://www.salon97.org/?p=116</guid>
		<description><![CDATA[Booing Tosca at the Met? Oh, come on now.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nytimes.com/2009/09/27/opinion/27affron.html?_r=2" target="_blank">Booing </a><em><a href="http://www.nytimes.com/2009/09/27/opinion/27affron.html?_r=2" target="_blank">Tosca</a></em><a href="http://www.nytimes.com/2009/09/27/opinion/27affron.html?_r=2" target="_blank"> at the Met</a>? Oh, come on now.</p>
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