The year is 1998. Filmmaker Spike Lee is ten movies into his career but things have hit a snag. The writer/director’s last three movies have all been adapted from other people’s material and have done so-so with both audiences and critics. The harsher among them say that Lee–successful, admired, and a long way from earlier… Continue reading Classical Music at the Movies: Aaron Copland, Spike Lee and “He Got Game”
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