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	<title>Salon97 - classical music with attitude &#187; opera</title>
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		<title>Salon97 Digest, 28 August 2011</title>
		<link>http://www.salon97.org/news/salon97-digest-28-august-2011/</link>
		<comments>http://www.salon97.org/news/salon97-digest-28-august-2011/#comments</comments>
		<pubDate>Mon, 29 Aug 2011 00:02:59 +0000</pubDate>
		<dc:creator>Cariwyl Hebert</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Bernard Herrmann]]></category>
		<category><![CDATA[opera]]></category>

		<guid isPermaLink="false">http://www.salon97.org/?p=644</guid>
		<description><![CDATA[The Longest Serving Orchestra Musician? by Norman Lebrecht, Slipped Disc Sixty-four years. WOW, people. For Liszt, experimentation was a form of greatness. by Anthony Tommasini, NY Times Liszt was completely amazing, both as a performer and a composer. But you knew that, right? What did Beethoven hear when he composed music? by Deb Anderson, The [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.artsjournal.com/slippeddisc/2011/08/longest-serving-orchestral-player.html" target="_blank">The Longest Serving Orchestra Musician? </a><br />
by Norman Lebrecht, Slipped Disc<br />
Sixty-four years. WOW, people.</p>
<p><a href="http://www.nytimes.com/2011/08/24/arts/music/liszt-a-piano-virtuoso-whose-genius-was-interpretation.html?_r=1" target="_blank">For Liszt, experimentation was a form of greatness.</a><br />
by Anthony Tommasini, NY Times<br />
Liszt was completely amazing, both as a performer and a composer. But you knew that, right?</p>
<p><a href="http://www.theage.com.au/national/education/what-did-beethoven-hear-when-he-composed-music-20110822-1j6fa.html" target="_blank">What did Beethoven hear when he composed music?</a><br />
by Deb Anderson, The Age<br />
An interesting interpretation of the meaning behind Beethoven&#8217;s life and works.</p>
<p><a href="http://www.washingtonpost.com/lifestyle/style/contemporary-classical-a-primer/2011/07/13/gIQAqhDDQJ_story.html" target="_blank">A beginner&#8217;s guide to contemporary classical music.</a><br />
by Anne Midgette, Washington Post<br />
This is an excellent guide to help you get started with modern classical music. There&#8217;s a lot of great stuff out there!</p>
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		<item>
		<title>Boo hoo hoo</title>
		<link>http://www.salon97.org/uncategorized/boo-hoo-hoo/</link>
		<comments>http://www.salon97.org/uncategorized/boo-hoo-hoo/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 05:15:49 +0000</pubDate>
		<dc:creator>Cariwyl Hebert</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[audience]]></category>
		<category><![CDATA[opera]]></category>

		<guid isPermaLink="false">http://www.salon97.org/?p=116</guid>
		<description><![CDATA[Booing Tosca at the Met? Oh, come on now.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nytimes.com/2009/09/27/opinion/27affron.html?_r=2" target="_blank">Booing </a><em><a href="http://www.nytimes.com/2009/09/27/opinion/27affron.html?_r=2" target="_blank">Tosca</a></em><a href="http://www.nytimes.com/2009/09/27/opinion/27affron.html?_r=2" target="_blank"> at the Met</a>? Oh, come on now.</p>
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